Despite moving away from posting my photos and artwork here on Telecommute (I’ve been leaning heavier on Flickr now that I’ve upgraded to a pro account), I still think it’s important to host here on occasion. Without any further words, here are some of my recents:
I’m active on Instagram as well.
My first foray into human subjects being featured in my digital compositions. I always calls these types of works “blends”, because at their core is the mashing of pixels, layering one image on top of another, and telling the software how to take a variety of RGB inputs and spit out just one pixular output.
Here are some of my friends & family. The raw material for each piece came from things (and people) I photographed in or around San Francisco. I enjoyed this process so much that there’s guaranteed to be more to come!
Older Blends series (sans humans):
Blends 8 & 9
Some older things I had lying around. All photos, except for the last two: the last is a photo of some crazy fish heavily modified in Photoshop, and the 2nd-to-last was started from scratch in Fireworks randomly like 7 years ago and then I did some filter work on it in Photoshop recently, for some reason or another.
I don’t normally post individual works, but I ended up liking the transformation of this one so much that I had to give it some extra attention. Staying at a rented house in Sonoma with a number of family members the night before a big family wedding, I got the kids room, which contained: kid-friendly wallpaper, a crib, one of those weird beds that has drawers under it, entirely way too many pillows for either function or decoration, and a lingering sense of innocence. Also there were several stunning works of mixed-media art on the walls, and I was enraptured by them. Here’s an untreated photo of one of the other ones:
As I found out later, while perusing the lovely Dog-Eared Books on Valencia St. in San Francisco, the bird cut-outs were the work of Charley Harper. I saw of a book of postcards by him simply entitled “Birds” and I thought instantly: “I know that bird.” And sure enough I did, and now do better than ever.
Here’s another that was on the wall that was keeping me company while sleep approached:
The original, non-Photoshopped version is below. While stunning in person, my photograph of it somehow did not capture its energy. For the modified version at the top of this post, I added some texture, manipulated the value curve, did some burning & dodging, and even got into the nitty-gritty-pixely level for a few micro-touchups.
new filters on some old photos. these portland pics get a sparkly pixie-(pixely?) dust rain to imbue them with new feelings, shapes, meanings, and ideas.
see an earlier series here.